Amplitude modulation

Amplitude modulation Amplitude modulation Amplitude modulation (AM) is a technique used in electronic communication, most commonly for transmitting information via a radio carrier wave. AM works by varying the strength of the transmitted signal in relation to the information being sent. For example, changes in the signal strength can be used to reflect the sounds to be reproduced by a speaker, or to specify the light intensity of television pixels. (Contrast this with frequency modulation, also commonly used for sound transmissions, in which the frequency is varied; and phase modulation, often used in remote controls, in which the phase is varied) In the mid-1870s, a form of amplitude modulation—initially called undulatory currents—was the first method to successfully produce quality audio over telephone lines. Beginning with Reginald Fessendens audio demonstrations in 1906, it was also the original method used for audio radio transmissions, and remains in use today by many forms of communication—AM is often used to refer to the mediumwave broadcast band (see AM radio). Forms of amplitude modulation As originally developed for the electric telephone, amplitude modulation was used to add audio information to the low-powered direct current flowing from a telephone transmitter to a receiver. As a simplified explanation, at the transmitting end, a telephone microphone was used to vary the strength of the transmitted current, according to the frequency and loudness of the sounds received. Then, at the receiving end of the telephone line, the transmitted electrical current affected an electromagnet, which strengthened and weakened in response to the strength of the current. In turn, the electromagnet produced vibrations in the receiver diaphragm, thus closely reproducing the frequency and loudness of the sounds originally heard at the transmitter. In contrast to the telephone, in radio communication what is modulated is a continuous wave radio signal (carrier wave) produced by a radio transmitter. In its basic form, amplitude modulation produces a signal with power concentrated at the carrier frequency and in two adjacent sidebands. This process is known as heterodyning. Each sideband is equal in bandwidth to that of the modulating signal and is a mirror image of the other. Amplitude modulation that results in two sidebands and a carrier is often called double sideband amplitude modulation (DSB-AM). Amplitude modulation is inefficient in terms of power usage and much of it is wasted. At least two-thirds of the power is concentrated in the carrier signal, which carries no useful information (beyond the fact that a signal is present); the remaining power is split between two identical sidebands, though only one of these is needed since they contain identical information. To increase transmitter efficiency, the carrier can be removed (suppressed) from the AM signal. This produces a reduced-carrier transmission or double-sideband suppressed-carrier (DSBSC) signal. A suppressed-carrier amplitude modulation scheme is three times more power-efficient than traditional DSB-AM. If the carrier is only partially suppressed, a double-sideband reduced-carrier (DSBRC) signal results. DSBSC and DSBRC signals need their carrier to be regenerated (by a beat frequency oscillator, for instance) to be demodulated using conventional techniques. Even greater efficiency is achieved—at the expense of increased transmitter and receiver complexity—by completely suppressing both the carrier and one of the sidebands. This is single-sideband modulation, widely used in amateur radio due to its efficient use of both power and bandwidth. A simple form of AM often used for digital communications is on-off keying, a type of amplitude-shift keying by which binary data is represented as the presence or absence of a carrier wave. This is commonly used at radio frequencies to transmit Morse code, referred to as continuous wave (CW) operation. In 1982, the International Telecommunication Union (ITU) designated the various types of amplitude modulation as follows: Designation Description A3E double-sideband full-carrier the basic AM modulation scheme R3E single-sideband reduced-carrier H3E single-sideband full-carrier J3E single-sideband suppressed-carrier B8E independent-sideband emission C3F vestigial-sideband Lincompex linked compressor and expander Example: double-sideband AM A carrier wave is modeled as a simple sine wave, such as: c(t) = Ccdot sin(omega_c t + phi_c),, where the radio frequency (in Hz) is given by: omega_c / (2pi)., For generality, C,and phi_c,are arbitrary constants that represent the carrier amplitude and initial phase. For simplicity, we set their respective values to 1 and 0. Let m(t) represent an arbitrary waveform that is the message to be transmitted. And let the constant M represent its largest magnitude. For instance: m(t) = Mcdot cos(omega_m t + phi)., Thus, the message might be just a simple audio tone of frequency omega_m / (2pi)., It is generally assumed that omega_m ll omega_c, and that min[ m(t) ] = -M., Then amplitude modulation is created by forming the product: y(t), = [A + m(t)]cdot c(t),, = [A + Mcdot cos(omega_m t + phi)]cdot sin(omega_c t). A,represents another constant we may choose. The values A=1, and M=0.5, produce a y(t) depicted by the graph labelled 50% Modulation in 4. For this simple example, y(t) can be trigonometrically manipulated into the following equivalent form: y(t) = Acdot sin(omega_c t) + begin{matrix}frac{M}{2} end{matrix} left[sin((omega_c + omega_m) t + phi) + sin((omega_c omega_m) t phi)right]., Therefore, the modulated signal has three components, a carrier wave and two sinusoidal waves (known as sidebands) whose frequencies are slightly above and below omega_c., Also notice that the choice A=0 eliminates the carrier component, but leaves the sidebands. That is the DSBSC transmission mode. To generate double-sideband full carrier (A3E), we must choose: A ge M., For more general forms of m(t), trigonometry is not sufficient. But if the top trace of 2 depicts the frequency spectrum, of m(t), then the bottom trace depicts the modulated carrier. It has two groups of components: one at positive frequencies (centered on + ωc) and one at negative frequencies (centered on − ωc). Each group contains the two sidebands and a narrow component in between that represents the energy at the carrier frequency. We need only be concerned with the positive frequencies. The negative ones are a mathematical artifact that contains no additional information. Therefore, we see that an AM signals spectrum consists basically of its original (2-sided) spectrum shifted up to the carrier frequency. For those interested in the mathematics of 2, it is a result of computing the Fourier transform of: [A + m(t)]cdot sin(omega_c t),,using the following transform pairs: begin{align} m(t) quad stackrel{mathcal{F}}{Longleftrightarrow}quad M(omega) \ sin(omega_c t) quad stackrel{mathcal{F}}{Longleftrightarrow}quad i pi cdot [delta(omega +omega_c)-delta(omega-omega_c)] \ Acdot sin(omega_c t) quad stackrel{mathcal{F}}{Longleftrightarrow}quad i pi A cdot [delta(omega +omega_c)-delta(omega-omega_c)] \ m(t)cdot sin(omega_c t) quad stackrel{mathcal{F}}{Longleftrightarrow} frac{1}{2pi}cdot {M(omega)} * {i pi cdot [delta(omega +omega_c)-delta(omega-omega_c)]} \ = frac{i}{2}cdot [M(omega +omega_c) M(omega -omega_c)] end{align} In terms of the positive frequencies, the transmission bandwidth of AM is twice the signals original (baseband) bandwidth—since both the positive and negative sidebands are shifted up to the carrier frequency. Thus, double-sideband AM (DSB-AM) is spectrally inefficient, meaning that fewer radio stations can be accommodated in a given broadcast band. The various suppression methods in Forms of AM can be readily understood in terms of the diagram in 2. With the carrier suppressed there would be no energy at the center of a group. And with a sideband suppressed, the group would have the same bandwidth as the positive frequencies of M(omega)., The transmitter power efficiency of DSB-AM is relatively poor (about 33%). The benefit of this system is that receivers are cheaper to produce. The forms of AM with suppressed carriers are found to be 100% power efficient, since no power is wasted on the carrier signal which conveys no information. Modulation index As with other modulation indices, in AM, this quantity, also called modulation depth, indicates by how much the modulated variable varies around its original level. For AM, it relates to the variations in the carrier amplitude and is defined as: h = frac{mathrm{peak value of } m(t)}{A} = frac{M}{A}, where M,and A,were introduced above. So if h = 0.5, the carrier amplitude varies by 50% above and below its unmodulated level, and for h = 1.0 it varies by 100%. To avoid distortion in the A3E transmission mode, modulation depth greater than 100% must be avoided. Practical transmitter systems will usually incorporate some kind of limiter circuit, such as a VOGAD, to ensure this. Variations of modulated signal with percentage modulation are shown below. In each image, the maximum amplitude is higher than in the previous image. Note that the scale changes from one image to the next. Amplitude modulator designs This section does not cite any references or sources. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (October 2008) This article only describes one highly specialized aspect of its associated subject. Please help improve this article by adding more general information. (October 2009) Circuits A wide range of different circuits have been used for AM, but one of the simplest circuits uses anode or collector modulation applied via a transformer. While it is perfectly possible to create good designs using solid-state electronics, valved (vacuum tube) circuits are shown here. In general, valves are able to more easily yield RF powers, in excess of what can be easily achieved using solid-state transistors. Most high-power broadcast stations still use valves. Anode modulation using a transformer. The tetrode is supplied with an anode supply (and screen grid supply) which is modulated via the transformer. The resistor R1 sets the grid bias; both the input and outputs are tuned LC circuits which are tapped into by inductive coupling Modulation circuit designs can be broadly divided into low and high level. Low level Here a small audio stage is used to modulate a low power stage; the output of this stage is then amplified using a linear RF amplifier. Advantages The advantage of using a linear RF amplifier is that the smaller early stages can be modulated, which only requires a small audio amplifier to drive the modulator. Disadvantages The great disadvantage of this system is that the amplifier chain is less efficient, because it has to be linear to preserve the modulation. Hence Class C amplifiers cannot be employed. An approach which marries the advantages of low-level modulation with the efficiency of a Class C power amplifier chain is to arrange a feedback system to compensate for the substantial distortion of the AM envelope. A simple detector at the transmitter output (which can be little more than a loosely coupled diode) recovers the audio signal, and this is used as negative feedback to the audio modulator stage. The overall chain then acts as a linear amplifier as far as the actual modulation is concerned, though the RF amplifier itself still retains the Class C efficiency. This approach is widely used in practical medium power transmitters, such as AM radiotelephones. High level With high level modulation, the modulation takes place at the final amplifier stage where the carrier signal is at its maximum Advantages One advantage of using class C amplifiers in a broadcast AM transmitter is that only the final stage needs to be modulated, and that all the earlier stages can be driven at a constant level. These class C stages will be able to generate the drive for the final stage for a smaller DC power input. However, in many designs in order to obtain better quality AM the penultimate RF stages will need to be subject to modulation as well as the final stage. Disadvantages A large audio amplifier will be needed for the modulation stage, at least equal to the power of the transmitter output itself. Traditionally the modulation is applied using an audio transformer, and this can be bulky. Direct coupling from the audio amplifier is also possible (known as a cascode arrangement), though this usually requires quite a high DC supply voltage (say 30 V or more), which is not suitable for mobile units. See also * AM radio * Mediumwave band used for AM broadcast radio * Longwave band used for AM broadcast radio * Frequency modulation * Shortwave radio almost universally uses AM, narrow FM occurring above 25MHz. * Modulation, for a list of other modulation techniques * Amplitude modulation signalling system (AMSS), a digital system for adding low bitrate information to an AM signal. * Sideband, for some explanation of what this is. * Types of radio emissions, for the emission types designated by the ITU * Airband * Quadrature amplitude modulation References * Newkirk, David and Karlquist, Rick (2004). Mixers, modulators and demodulators. In D. G. Reed (ed.), The ARRL Handbook for Radio Communications (81st ed.), pp.15.1-15.36. Newington: ARRL. ISBN 0-87259-196-4. Pulse-amplitude modulation From Wikipedia, the free encyclopedia Principle of PAM; (1) original Signal, (2) PAM-Signal, (a) Amplitude of Signal, (b) Time Overview Pulse-amplitude modulation, acronym PAM, is a form of signal modulation where the message information is encoded in the amplitude of a series of signal pulses. Example: A two bit modulator (PAM-4) will take two bits at a time and will map the signal amplitude to one of four possible levels, for example −3 volts, −1 volt, 1 volt, and 3 volts. Demodulation is performed by detecting the amplitude level of the carrier at every symbol period. Pulse-amplitude modulation is widely used in baseband transmission of digital data, with non-baseband applications having been largely superseded by pulse-code modulation, and, more recently, by pulse-position modulation. In particular, all telephone modems faster than 300 bit/s use quadrature amplitude modulation (QAM). (QAM uses a two-dimensional constellation). Usage of Pulse-amplitude modulation in Ethernet It should be noted, however, that some versions of the widely popular Ethernet communication standard are a good example of PAM usage. In particular, the Fast Ethernet 100BASE-T2 medium, running at 100Mb/s, utilizes 5 level PAM modulation (PAM-5) running at 25 megapulses/sec over two wire pairs. A special technique is used to reduce inter-symbol interference between the unshielded pairs. Later, the gigabit Ethernet 1000BASE-T medium raised the bar to use 4 pairs of wire running each at 125 megapulses/sec to achieve 1000Mb/s data rates, still utilizing PAM-5 for each pair. The IEEE 802.3an standard defines the wire-level modulation for 10GBASE-T as a Tomlinson-Harashima Precoded (THP) version of pulse-amplitude modulation with 16 discrete levels (PAM-16), encoded in a two-dimensional checkerboard pattern known as DSQ128. Several proposals were considered for wire-level modulation, including PAM with 12 discrete levels (PAM-12), 10 levels (PAM-10), or 8 levels (PAM-8), both with and without Tomlinson-Harashima Precoding (THP). amplitude modulation DEFINITION- Also see modulation. Amplitude modulation (AM) is a method of impressing data onto an alternating-current (AC) carrier waveform.The highest frequency of the modulating data is normally less than 10 percent of the carrier frequency.The instantanous amplitude (overall signal power) varies depending on the instantaneous amplitude of the modulating data. In AM, the carrier itself does not fluctuate in amplitude.Instead, the modulating data appears in the form of signal components at frequencies slightly higher and lower than that of the carrier.These components are called sidebands. The lower sideband (LSB) appears at frequencies below the carrier frequency; the upper sideband (USB) appears at frequencies above the carrier frequency.The LSB and USB are essentially mirror images of each other in a graph of signal amplitude versus frequency, as shown in the illustration.The sideband power accounts for the variations in the overall amplitude of the signal. When a carrier is amplitude-modulated with a pure sine wave, up to 1/3 (33 percent) of the overall signal power is contained in the sidebands.The other 2/3 of the signal power is contained in the carrier, which does not contribute to the transfer of data.With a complex modulating signal such as voice, video, or music, the sidebands generally contain 20 to 25 percent of the overall signal power; thus the carrier consumes 75 to 80 percent of the power.This makes AM an inefficient mode.If an attempt is made to increase the modulating data input amplitude beyond these limits, the signal will become distorted, and will occupy a much greater bandwidth than it should.This is called overmodulation, and can result in interference to signals on nearby frequencies. Analog modulation methods A low-frequency message signal (top) may be carried by an AM or FM radio wave. Common analog modulation techniques are: * Amplitude modulation (AM) (here the amplitude of the carrier signal is varied in accordance to the instantaneous amplitude of the modulating signal) o Double-sideband modulation (DSB) Â § Double-sideband modulation with unsuppressed carrier (DSB-WC) (used on the AM radio broadcasting band) Â § Double-sideband suppressed-carrier transmission (DSB-SC) Â § Double-sideband reduced carrier transmission (DSB-RC) o Single-sideband modulation (SSB, or SSB-AM), Â § SSB with carrier (SSB-WC) Â § SSB suppressed carrier modulation (SSB-SC) o Vestigial sideband modulation (VSB, or VSB-AM) o Quadrature amplitude modulation (QAM) * Angle modulation o Frequency modulation (FM) (here the frequency of the carrier signal is varied in accordance to the instantaneous frequency of the modulating signal) o Phase modulation (PM) (here the phase shift of the carrier signal is varied in accordance to the instantaneous phase shift of the modulating signal) AMPLITUDE MODULATION How it works. We know that something as simple as a crystal diode (rectifier) can be used to capture sound from the air and put it into a pair of earphones or an amplifier and speaker. How can this work? We will cover that here and now. All AM (Amplitude Modulation) detectors work basically the same way. What is AM? What we can hear as audio is classically considered to be the frequency range between 20 and 20,000 cycles per second (here after referred to as cycles and abandoning hertz) which I have never liked). In reality most adults can only hear up to about 13,000 cycles. Most speakers cant reproduce anything lower than 30 cycles in spite of the exaggerated claims of proud owners. So lets be generous and call audio 30 to 15,000 cycles. Radio frequencies are between 8,000 cycles and 50,000 megacycles. Thats right there is a range of frequencies that depending on how they are treated can be audio or radio. The AM radio band begins at 540 kilocycles. For simplicity lets say that we want to transmit a 10,000 cycle tone on a radio transmitter operating on 250 kilocycles. The 250 kc transmitting frequency is called the carrier wave because it may be thought of as carrying the audio. The 10,000 cycle audio frequency is called the modulating frequency. We may get into side-bands later. In the above the upper wave is the modulating wave and three cycles of it can be seen. The lower wave is the modulated carrier wave and 75 cycles are visible. (You can count them for yourself or take my word for it.) Notice as the modulating wave goes up the total amplitude of the carrier wave (measured from negative peak to positive peak) goes up. As the modulating wave goes down the amplitude of the carrier wave goes down. When the modulating wave is at zero (the point where it begins and ends) the carrier wave is at its middle or unmodulated value. Think of the modulating wave as controlling a valve that the carrier wave is passing through. (I have direct conformation from England, thats why the British call tubes valves.) The carrier wave can then be sent to an antenna which radiates it out for all the world to hear. Detecting the signal Detection is the word applied to the process of recovering the audio frequencies from the radio frequency carrier. In the case of amplitude modulation it is very simple. All we need to do is to rectify the signal. Rectification is the process used in power supplies to change AC to DC. Its really quite similar for detecting radio signals. Compare the carrier wave in the below with the one in the above. The wave has been run through a rectifier which removed the bottom half of every cycle. If we draw a line connecting the peaks we have the original modulating signal back again. Connecting the peaks is done by using a capacitor to charge up to the peak value and discharge through a resistor just fast enough to follow the modulating frequency but not so fast as to cause a large variation at the carrier frequency. The frequencies chosen for this drawing are fairly close together to make it possible to see the individual cycles on your computer screen. When dealing with the AM broadcast band the carrier frequencies range from 540 kc to 1600 kc. 10,000 cycles is the absolute upper limit for audio on AM and most transmitters only make it to about 8,000 cycles. Look back at the diagram of the crystal set. Use your back button to return here. If you are familiar with power supply circuits you will recognize it as a half wave rectifier with a capacitor to filter out ripple. The resistor makes the capacitor discharge just fast enough but not too fast. A much more rigorous discussion of AM, including side bands, is available by clicking here. This includes not only AM but SSB and FM. AMPLITUDE MODULATION Amplitude modulation or AM as it is often called, is a form of modulation used for radio transmissions for broadcasting and two way radio communication applications. Although one of the earliest used forms of modulation it is still in widespread use today. The first amplitude modulated signal was transmitted in 1901 by a Canadian engineer named Reginald Fessenden. He took a continuous spark transmission and placed a carbon microphone in the antenna lead. The sound waves impacting on the microphone varied its resistance and in turn this varied the intensity of the transmission. Although very crude, signals were audible over a distance of a few hundred metres, although there was a rasping sound caused by the spark. With the introduction of continuous sine wave signals, transmissions improved significantly, and AM soon became the standard for voice transmissions. Nowadays, amplitude modulation, AM is used for audio broadcasting on the long medium and short wave bands, and for two way radio communication at VHF for aircraft. However as there now are more efficient and convenient methods of modulating a signal, its use is declining, although it will still be very many years before it is no longer used. What is amplitude modulation? In order that a radio signal can carry audio or other information for broadcasting or for two way radio communication, it must be modulated or changed in some way. Although there are a number of ways in which a radio signal may be modulated, one of the easiest, and one of the first methods to be used was to change its amplitude in line with variations of the sound. The basic concept surrounding what is amplitude modulation, AM, is quite straightforward. The amplitude of the signal is changed in line with the instantaneous intensity of the sound. In this way the radio frequency signal has a representation of the sound wave superimposed in it. In view of the way the basic signal carries the sound or modulation, the radio frequency signal is often termed the carrier. What is amplitude modulation, AM Amplitude Modulation, AM When a carrier is modulated in any way, further signals are created that carry the actual modulation information. It is found that when a carrier is amplitude modulated, further signals are generated above and below the main carrier. To see how this happens, take the example of a carrier on a frequency of 1 MHz which is modulated by a steady tone of 1 kHz. The process of modulating a carrier is exactly the same as mixing two signals together, and as a result both sum and difference frequencies are produced. Therefore when a tone of 1 kHz is mixed with a carrier of 1 MHz, a sum frequency is produced at 1 MHz + 1 kHz, and a difference frequency is produced at 1 MHz 1 kHz, i.e. 1 kHz above and below the carrier. If the steady state tones are replaced with audio like that encountered with speech of music, these comprise many different frequencies and an audio spectrum with frequencies over a band of frequencies is seen. When modulated onto the carrier, these spectra are seen above and below the carrier. It can be seen that if the top frequency that is modulated onto the carrier is 6 kHz, then the top spectra will extend to 6 kHz above and below the signal. In other words the bandwidth occupied by the AM signal is twice the maximum frequency of the signal that is used to modulated the carrier, i.e. it is twice the bandwidth of the audio signal to be carried. Amplitude demodulation Amplitude modulation, AM, is one of the most straightforward ways of modulating a radio signal or carrier. The process of demodulation, where the audio signal is removed from the radio carrier in the receiver is also quite simple as well. The easiest method of achieving amplitude demodulation is to use a simple diode detector. This consists of just a handful of components:- a diode, resistor and a capacitor. AM diode detector AM Diode Detector In this circuit, the diode rectifies the signal, allowing only half of the alternating waveform through. The capacitor is used to store the charge and provide a smoothed output from the detector, and also to remove any unwanted radio frequency components. The resistor is used to enable the capacitor to discharge. If it were not there and no other load was present, then the charge on the capacitor would not leak away, and the circuit would reach a peak and remain there. Advantages of Amplitude Modulation, AM There are several advantages of amplitude modulation, and some of these reasons have meant that it is still in widespread use today: * It is simple to implement * it can be demodulated using a circuit consisting of very few components * AM receivers are very cheap as no specialised components are needed. Disadvantages of amplitude modulation Amplitude modulation is a very basic form of modulation, and although its simplicity is one of its major advantages, other more sophisticated systems provide a number of advantages. Accordingly it is worth looking at some of the disadvantages of amplitude modulation. * It is not efficient in terms of its power usage * It is not efficient in terms of its use of bandwidth, requiring a bandwidth equal to twice that of the highest audio frequency * It is prone to high levels of noise because most noise is amplitude based and obviously AM detectors are sensitive to it. Summary AM has advantages of simplicity, but it is not the most efficient mode to use, both in terms of the amount of space or spectrum it takes up, and the way in which it uses the power that is transmitted. This is the reason why it is not widely used these days both for broadcasting and for two way radio communication. Even the long, medium and short wave broadcasts will ultimately change because of the fact that amplitude modulation, AM, is subject to much higher levels of noise than are other modes. For the moment, its simplicity, and its wide usage, mean that it will be difficult to change quickly, and it will be in use for many years to come

Of Mice and Men Intro and Conc

Introduction and conclusion to ‘of mice and men’ essay Introduction My topic of this essay is ‘How John Steinbeck develops the character of Lennie throughout the novel’ My first point is that Steinbeck develops Lennie’s character very frequently throughout the novel however there are times where Lennie doesn’t develop at all such as when he says ‘im gonna tend the rabbits’ over and over again this shows how Lennie hasn’t developed and keeps going on about the same thing and shows no change at all.Also the fact that Lennie is portrayed as a child links to this as children always rant for something over and over again another quote to show this would be ‘an im gonna live off the fatta the land’ which shows that Lennie has hopes and dreams like a child does. This fact links to the point that John Steinbeck likes children a lot and says that children have a sense of specialty so this is maybe why Steinbeck has decid ed to portray the character of Lennie in this manner. ConclusionOverall I think that John Steinbeck has developed the character of Lennie many times throughout the novel and mainly this links to the ‘Lacan mirror theory’ which shows that children only really express their real identities when they see themselves for the first time in a mirror and this fact links to Lennie as he doesn’t know his own strength until he crushes Curley’s hand this shows that Lennie doesn’t know himself very well and therefore shows development in his character as he is becoming more independent and bold but there are also times where he reforms into a child again.Lastly I would like to say that there have been various developments in Lennie’s character and John Steinbeck has carried them out in a very structured way.

Transgressing Prescribed Gender Roles in Shakespeare Essay

Transgressing prescribed gender roles in As You Like It Shakespeares As You Like It is both a gentle, pastoral comedy and a complicated, dark debate on the relationship between love, power and gender construction. At the centre of the play is Rosalind, arguably one of Shakespeares most engaging, witty, intelligent, and lovable female characters. Rosalind is the epitome of Elizabethan femininity: beautiful, chaste, and charitable; and yet she is able to transcend traditional gender boundaries to become a powerful masculine figure, allowing Shakespeare to call into question the serious nature of gender and identity, while also adding to the comic relief of the play through the use of dramatic irony. The serious potential of†¦show more content†¦She repeatedly deflates Orlandos conventional rhetoric and corrects his over-idealisation love and gender. This comes out most clearly in her reply to Orlandos claim that if Rosalind rejects him, then he will die. The poor world is almost six thousand years old, and in this time there was not any man died in his own person, videlicet, in a love-cause... Men have died from time to time and worms have eaten them, But not for love. (4.1.81-92) Rosalinds masculine disguise essentially allows her to acquire a certain freedom, in which she is able to give advice, and associate as an equal among other men. This freedom also gives her the ability to initiate the courtship with Orlando. Such power does Rosalind possess in this stage of the play, that much like the character of Puck in A Midsummer Nights Dream Rosalind becomes a director of the play (Dash 211). Bring us to this sight, and you shall say Ill prove a bust actor in their play (3.4.54-55) Here the role of Rosalind is decisive, and much of ones response to the play depends upon ones response to her as a character. Through her masculine disguise, she acquires the ability to manipulate characters such as Orlando and Phebe, and ultimately determine their fate, as well as the fate of the play. Here, it is important to note that despite Rosalinds use of disguise, as an audience we do notShow MoreRelatedCross Gender Dressing2838 Words   |  12 PagesSociety plays a role in prescribing appropriate and inappropriate behavior. How a man and a woman are supposed to dress are unwritten codes of behavior that most people tend to follow. Cross-dressers represent a group that is defiant of established norms as they opt to dress in ways contrary to their gender assignment. Further controversy surrounds the issue of cross-dressing particularly because there is little consensus on its definition. There is also debate on the distinction, if any, that existsRead MoreStephen P. Robbins Timothy A. Judge (2011) Organizational Behaviour 15th Edition New Jersey: Prentice Hall393164 Words   |  1573 PagesComprehensive Cases Indexes Glindex 637 663 616 623 Contents Preface xxii 1 1 Introduction What Is Organizational Behavior? 3 The Importance of Interpersonal Skills 4 What Managers Do 5 Management Functions 6 †¢ Management Roles 6 †¢ Management Skills 8 †¢ Effective versus Successful Managerial Activities 8 †¢ A Review of the Manager’s Job 9 Enter Organizational Behavior 10 Complementing Intuition with Systematic Study 11 Disciplines That Contribute to the OB Field 13 Psychology

Atheism, Evolution And Secular Humanism Masquerading As...

Atheism, Evolution and Secular Humanism Masquerading As Science Against the Bible and Creation By Richard Ruhling | Submitted On February 20, 2014 Recommend Article Article Comments Print Article Share this article on Facebook Share this article on Twitter Share this article on Google+ Share this article on Linkedin Share this article on StumbleUpon Share this article on Delicious Share this article on Digg Share this article on Reddit Share this article on Pinterest Expert Author Richard Ruhling Science depends on research. Consider our limited opportunities--our lives are brief; our vision is limited; and we can make huge mistakes, when it comes to events we think were before Bible history. Here are a few examples: How often the supposed deductions from some scientists are revised or cast aside; With what readiness the assumed period of the earth s development is from time to time increased or diminished by millions of years; How the theories advanced by different scientists conflict with one another, Considering all this, do we prefer to trace our descent from germs and mollusks and apes when we could have an infinitely better genealogy: God created man in His own image, in the image of God created He him? Genesis 1:27. We will look at some scientific evidence below, but first we see Bible history is supported by the science of archeology back to Genesis 11. a chapter with the Towel of Babel that is the basis of the European Union poster, Europe: Many